Thyssen-Bornemisza Collection

The European Avant-gardes

The European Avant-gardes
Christopher Green
ISBN 13: 
9780302006511
£110.00
This volume in the series of scholarly catalogues of the Thyssen-Bornemisza Collection deals with some of the most innovative art-works of the first half of the twentieth century.

European Silver

Hannelore Müller
Translated from the German by P.S. Falla and Anna Somers Cocks
ISBN 13: 
9780856673139
ISBN 10: 
0 85667 313 7
£75

Each object is fully described and illustrated by one or more reproductions of high quality. Detailed information is also given as to technique and state of conservation, marks, and provenance.

Seventeenth and Eighteenth-Century Italian Painting

Roberto Contini
ISBN 13: 
9780856675089
ISBN 10: 
0 85667 508 3
£110

This scholarly book offers a panoramic view of painting in Italy during these two centuries, including the works of 'minor' artists such as Ferrau Fenzoni and Francesco Foschi.

Seventeenth-Century Dutch and Flemish Painting

Seventeenth-Century Dutch and Flemish Painting
Ivan Gaskell
ISBN 13: 
9780856673528
ISBN 10: 
0 85667 352 8
£95

In his introduction Ivan Gaskill considers the extremely varied character of Dutch and Flemsih seventeenth century art.

Renaissance and Later Sculpture

Anthony Radcliffe
Baker Malcolm
Michael Maek-Gérard
ISBN 13: 
9780856674013
ISBN 10: 
978 0 85667 401 3
£60

This sequel to "Medieval Sculpture and Works of Art" by Paul Williamson (1987) completes the catalogue of European sculpture in The Thyssen-Bornemisza Collection.

Nineteenth-Century American Painting

Nineteenth-Century American Painting
Barbara Novak
ISBN 13: 
9780856673160
ISBN 10: 
0 85667 316 1
£50

A catalogue of the collection including 111 works by 55 artists such as Thomas Cole and Winslow Homer.

Medieval Sculpture and Works of Art

Paul Williamson: Medieval sculpture and works of art cover image
Paul Williamson
ISBN 13: 
970856673351
ISBN 10: 
0 85667 335 8
£55

The author, Paul Williamson, in addition to discussing the pieces themselves in detail, also addresses himself to wider issues of interest to the student of Medieval art.

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